Applying Accidentals
1. Note Heads and Stem DirectionNote_Heads_and_Stem_Direction.html
2. BarringBarring.html
5. Rhythm Slashes and the Drum SetRhythm_Slashes_and_the_Drum_Set.html
6. More on Time SignaturesMore_on_Time_Signatures.html
7. Other Staff SymbolsOther_Staff_Symbols.html
8. ArticulationArticulation.html
9. DynamicsDynamics.html
4. EnharmonicsEnharmonics.html
 
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When using accidentals, there’s a logic applied to them.

sharps go up, and flats go down.

Between G and A, we use as an G#, because we’re going up to A.

Db going down to C

natural

sharp

double sharp

flat

double flat

cancels out another accidental

raises a note by a half step

raises a note by a whole step

lowers a note by a half step

lowers a note by a whole step

When would I have to use a double flat or a double sharp?

Double flats and sharps come in handy when voicing chords.

why is using Bbb right, but using A “wrong”?

min 3rd
aug 2nd

min 3rds and augmented 2nds sound the EXACT same. We write a min 3rd because we write chords in 3rds, remember?

more

examples

10. OrnamentsOrnaments.html
11. Writing StylesWriting_Styles.html