Chords
We have an A major chord. We know triads are made of 3 notes, stacked in 3rds, but what if we stack another note on? another 3rd?
A maj
A C# E
A maj7
A C# E G#
Key of A major
Now we have an A maj7 chord, and we now know how to build maj7 chords. They are stacks of 4 notes, using the structure: 1 3 5 7.
Lets look at other maj7 chords.
E maj7
E G# B D#
C maj7
C E G B
More types of SEVENTH CHORDS; MIN7
Emin7
Gmin7
Fmin7
More min7th chords
and Dominant 7th
Minor
You can do this with the augmented triad as well, which will produce some very odd sounds.
Groundwork for creating 7th chords. All examples in C
1 3 5 b7
1 b 3 5 7
More types of SEVENTH CHORDS;
Fmin
maj7
maj7
B dom7 or B7
Diatonic seventh chords in C major
Diatonic seventh chords in D major
Not all music is written in the key of C, so it’s important to look at music in other keys. Your eyes learn to see suggested keys through seeing accidentals written on the staff. The reason I like to put so many examples in C is because it is the key signature of 0 flats and 0 sharps, making it ideal to teach clearly.
Functions of the chords are still the same.
Tonic
Dominant
Subdominant
When comparing chords of similar function, we see that they are not that different.
D dim triad inside of B7
Ab triad inside of Fmin7
G min triad inside of Eb maj7. Eb triad inside of Cmin7
Min7 chords are made of the min triad, and adding a min 3rd on - which is a a b7 from the root.