We have an A major chord. We know triads are made of 3 notes, stacked in 3rds, but what if we stack another note on? another 3rd?

Seventh Chords

A maj

A    C#    E

A maj7

A    C#    E    G#

Key of A major

Now we have an A maj7 chord, and we now know how to build maj7 chords. They are stacks of 4 notes, using the structure:  1    3    5    7.

root
maj3
P5
maj7

Lets look at other maj7 chords.

E maj7

E    G#    B    D#

C maj7

C    E    G    B

More types of SEVENTH CHORDS; MIN7

Emin7

Gmin7

Fmin7

More min7th chords

and Dominant 7th

Minor

You can do this with the augmented triad as well, which will produce some very odd sounds.

Groundwork for creating 7th chords. All examples in C

1    3    5    b7

root
maj7

1   b 3    5    7

root
maj3
min3
P5
P5
min7
NEXTTensions.html
Tensions.html
TensionsTensions.html

More types of SEVENTH CHORDS;

Fmin

maj7

maj7

B dom7 or B7

Diatonic seventh chords in C major

Diatonic seventh chords in D major

Not all music is written in the key of C, so it’s important to look at music in other keys. Your eyes learn to see suggested keys through seeing accidentals written on the staff. The reason I like to put so many examples in C is because it is the key signature of 0 flats and 0 sharps, making it ideal to teach clearly.

Functions of the chords are still the same.

Tonic

Dominant

Subdominant

When comparing chords of similar function, we see that they are not that different.

D dim triad inside of B7

Ab triad inside of Fmin7

G min triad inside of Eb maj7. Eb triad inside of Cmin7

PREVIOUSFunctions.html
Functions.html
FunctionsFunctions.html
2. FunctionsFunctions.html
4. TensionsTensions.html
1. TriadsTriads.html
5. InversionsInversions.html

You should be familiar with the articles on intervals AND triads to get the full meaning of this lesson.

Min7 chords are made of the min triad, and adding a min 3rd on - which is a a b7 from the root.